5/29/13

Dr. Stanley B. Burns Speaks at Gallery Seminar at the Metropolitan Museum of Art

Study Day– The American Civil War and the Body

Friday, May 31, 2013 10:30 A.M. – 4:30 P.M.


Dr. Burns is part of a panel of distinguished guests speaking at an all-day seminar that engages in critical discourse about works of art in the galleries, as well as discussions and short lectures about the trauma of war through differing perspectives, ranging from historical to medical.


5/22/13

“Pictures After Death” and “A Beautiful Way to Go” Together Mark Green-Wood Cemetery’s 175th Anniversary

Images from Tuesday evening’s lecture on PostMortem Photography by Dr. Stanley B. Burns at the Museum of the City of New York and snapshots at the opening reception of “A Beautiful Way to Go: New York’s Green-Wood Cemetery


Dr. Burns lectured in front of a full-house Tuesday evening on PostMortem Photography and Memorialization in 19th Century America at the Museum of the City of New York. The hour-long presentation was recorded by C-Span for American History TV (stay tuned for more information!). The event followed a week after the opening reception commemorating Green-Wood Cemetery’s 175th Anniversary, a New York iconic institution. 

But enough about accolades, let’s look at some snapshots.



 




5/20/13

Pictures After Death: A Lecture on Postmortem Photography and Memorialization in 19th-Century America by Dr. Stanley B. Burns


Tuesday, May 21 at 6:30PM at the Museum of the City of New York



Photography of the dead was a common practice in the 19th and early 20th centuries, a way for mourners to visually “embalm” their loved ones. Until recently, however, this once ubiquitous genre of American photographs was largely unexplored. Dr. Stanley B. Burns, Professor of Medicine and Psychiatry, NYU Langone Medical Center, and distinguished author, archivist, and collector, has amassed the most comprehensive collection of this genre in the world and published three books on the subject: the Sleeping Beauty series. Dr. Burns will speak about how postmortem photography shaped American culture in the 19th century. Presented in conjunction with A Beautiful Way to Go: New York’s Green-Wood Cemetery and Co-sponsored by The New York Academy of Medicine.

'C-Span' the Cable Satellite Public Affairs Network will be videotaping this lecture for presentation as a program on their American History series and will be available from their video library. This would be perfect as a teaching supplement to the history of photographic processes and the changing nature of memorialization practices.

The lecture is based on our Sleeping Beauty memorial photography book series, available from the Burns Press website.

RESERVATIONS REQUIRED
$6 Museum members; $8 seniors and students; $12 general public
For more information or to register by phone, please call 917-492-3395.
Information on how to RSVP can be found at the museum's website here.


Museum of the City of New York
1220 Fifth Avenue (at 103rd St.)
New York, NY 10029
212.534.1672


Directions by subway:
#6 Lexington Avenue train to 103rd Street, walk three blocks west, or #2 or #3 train to Central Park North/110th Street, walk one block east to Fifth Avenue, then south to 103rd Street. Ramp access is available at the 104th Street entrance.









4/3/13

Photography and the American Civil War at the Metropolitan Museum of Art


Dr. Burns’ collection of medical photographs are showcased in a dedicated room as part of the MET’s exhibit. 
April 2 to September 2, 2013


The photographs of wounded soldiers and operative scenes taken by Civil War surgeon Reed Brockway Bontecou, MD are presented for the first time in a major art museum. 

Taken originally to show the effects of wounds, complications and the result of treatments the images are now recognized as among the highest level of portraiture. While it’s easy to photograph a beautiful subject, Bontecou photographed suffering and disability with a universal appeal as a result of his artistic posing and interpretation of war wounds. Jeff Rosenheim, Chief Curator of Photography of the MET and curator of this exhibit, has long recognized the artistic power of these portraits. 

The photographs show not the bravado of men about to enter battle, an all too familiar topic of interest for collectors and curators, but the true personal results of war for service personnel and their families. These images portray men, young and old, starring at us stoically, carrying their wounds. They are presented as people, not specimens, as a result of Bontecou’s art in posing. The images are significant additions to the visual culture of war and American medicine.The photographs are eloquent works of art that offer unflinching testimony to the suffering caused by America’s bloodiest war in which over 750,000 died and hundreds of thousands were wounded.

The exhibit is about documenting the war as well as the evolution of the medium of photography itself. Bontecou’s images presented near the end of the exhibit are representative of this evolution.

The slideshow provides a brief glimpse of the patrons party, the exhibition room with Dr. Bontecou’s photographs and the opening night reception.



Dr. Burns text- Shooting Soldiers: Civil War Medical Photographs by R. B. Bontecou is available form the Burns Press.


3/27/13

Dr. Burns Exhibits work at the National Arts Club 114th Annual Exhibit


March 20 thru Sunday April 7


Before he began collecting photography, Dr. Burns’ interest in WWII and the Nazi Genocide stimulated him to collect items related to the war, especially Nazi soldier album snapshots. He has since used them in creating computer-enhanced artwork based on the images. To facilitate comprehension and remembrance of the Holocaust, images are enlarged without being altered, then colorized with the yellow of the Jewish star worn by those in ghettos. He adds poignant captions, creating an amplified ‘Word-Image’ from these snapshots and a new visual dimension to the vocabulary of the visual culture of the Holocaust.

Dr. Stanley B. Burns and his entry, Hostile Territory

“Hostile Territory” is the piece shown at the NAC exhibit. The original snapshot was taken in Germany around 1937 and depicts a sign with caricatures of a Jewish man and woman, alerting travelers that the town is Jew-free. It is one of the images from the series:

WITHOUT GUILT – WITHOUT SHAME – WITHOUT PITY
Snapshot Photographs of the Crimes of the German Army



11/19/12

Photographs from the 24th Daguerreian Society Annual Meeting and Trade Fair, November 8-11, 2012. Baltimore, MD.

Dr. Burns attended and had a book signing for his latest publication, “Mirror Mirror: The Burns Collection Daguerreotypes.” The trade fair was attended by collectors and curators as well as several Washington D.C. and Baltimore museum staff. The highlight of the meeting was Matt Isenburg’s lecture discussing the sale, packing and shipping (about 2 months!) of his noted collection to Toronto’s AMC (the Archive of Modern Conflict). Dr. Burns had a great time meeting with old friends and making new ones, and cannot wait for next year’s meeting.... in Paris!


Dr. Burns at his table with written publications and photographs.

11/13/12

Photos: Geisha - The Golden years at Resobox Gallery


Good afternoon!



Here are some photographs from our opening reception at the Resobox Gallery in Queens, which we blogged about yesterday. 

Attendants included the Consulate General of Japan, Masakazu Kigure, as well as several Japanese artists and media reporters. Patrons enjoyed sake and Japanese delicacies, and a wonderful ceremonial tea ritual was performed throughout the evening by Japanese Tea Master Souheki Mori of Tea Whisk in New York.

The Burns Archive would like to thank founders Fumio Tashiro and Takashi Ikezawa for exhibiting our historical photographs. We hope you stop by and enjoy the space.

The Art of Mourning in Nineteenth-Century America


Selections from the Burns Archive


Reception: November 13, 2012, 2:00-4:00PM



Join the Art Gallery at Kingsborough Community College this afternoon! The exhibition will showcase mourning portraits, memorial artworks, and post-mortem photography (daguerreotypes, ambrotypes, tintypes, cartes-de-visite, and cabinet cards) from the archives of Dr. Stanley Burns, located in NYC, curated by Berfu Durantas-Masters, Professor of Art History, Kingsborough Community College and lecturer at the Cloisters-Metropolitan Museum of Art. There is a free catalogue to accompany the exhibit.

The exhibition has been extended into December, is free and open to the public. 
Gallery hours are 10am-3pm, Monday-Friday.

Arts & Sciences Building
2001 Oriental Boulevard
Brooklyn, NY 11235
718.368.5449

Directions:
Car: Belt Parkway to Exit 8 (Coney Island Avenue) then follow signs.
Bus: B-1 and B-49 bus to last stop.
Train: BMT Brighton line - B or Q train to Brighton Beach Station, then take B-1 bus to last stop.

11/12/12

Opening Reception for Geisha – The Golden Years 1870-1890


Join us tonight! November 12, 2012 7:00-9:00PM

A ritual tea ceremony will be performed by a Japanese Tea Master at the reception.


From the Burns Collection



The Resobox Gallery is proud to present an exhibition of nineteenth century hand-colored photographs of Geisha and Maiko from the Burns Archive. These photographs are the original images used by Dr. Stanley Burns and his daughter Elizabeth to create their noted book Geisha: A Photographic History: 1872-1912. The images in this exhibition showcase the best of Japanese photographs that were made to show the perceived exotic nature of Japan to the West. Several of the great early photographers’ studios are represented, including Kusakabi Kimbey, Ogawa Kazumasa and Baron von Stillfried.

The opening was originally scheduled for November 2nd but rescheduled for tonight due to weather events (like hurricanes... P.S. We are all OK!).

The gallery is readily accessible from Manhattan. Take the 7 or N train or E or F to Queensboro Plaza. The gallery is on 27th Street, less than a half a block from the elevated line station. 

Resobox
41-26 27th St. 
Long Island City, NY 11101
ph: 718.784.3680

9/28/12

Dr. Burns at the world premiere of Ric Burns’ “Death in the Civil War.”

The archive staff attended the premiere at the New York Historical Society, September 13, 2012.

Dr. Burns has contributed medical and memorial photographs to Ric Burns’ latest documentary: Death and the Civil War, which began its run on PBS September 18th. Images from Dr. Burns’ books, Sleeping Beauty: Memorial Photography in America and Shooting Soldiers: Civil War Medical Photography by Dr. Reed Bontecou, were among those used in preparing the film. Staff from various organizations affiliated with Ric Burns’ production company, Steeplechase Films, as well as WGBH and the American Experience were also in attendance. Mayor Bloomberg provided comments about Ric’s accomplishment. After viewing parts of the film an audience discussion was led by Ric Burns with Drew Gilpin Faust, President of Harvard University and author of The Republic of Suffering… and Mark Samuels, Executive Producer of the American Experience. The reception was held in the artifact festooned halls of the historical society’s newly designed Robert H. and Clarice Smith New York Gallery of American history. 

Discussions and promotional videos of the film can be can be seen at the American Experience and Ric Burns’ Steeplechase Films.

New York City mayor Michael Bloomberg commenting on Ric Burns' Death and the Civil War.


Mark Samuels, Ric Burns and Drew Gilpin Faust leading an audience discussion after the premiere.


Dr. Burns at the premiere for Ric Burns' Death in the Civil War.


Dr. Stanley Burns with Drew Gilpin Faust, President of Harvard University
and author of The Republic of Suffering: Death and the American Civil War.


Filmmaker Ric Ross and Dr. Stanley Burns at the premiere.


Filmmaker Ric Ross and Mark Samuels, Executive Producer of The American Experience.


The reception was held inside the
Robert H. and Clarice Smith New York Gallery of American History.


Burns Archive staff member Alice Dana enjoying the gallery before the reception.


Attendants at the reception.


The staff of PBS's American Experience with Dr. Burns.


Filmmaker Ric Ross, Burns Archive staff member Lissa Rivera, and Dr. Stanley Burns.


Another view of the reception, held inside the
Robert H. and Clarice Smith New York Gallery of American History.

The Staff of PBS' The American Experience.


Dr. Burns with the staff of PBS' The American Experience.


Where is Dr. Burns?

5/11/12

Postmortem Photography at the Boston Book & Paper Exposition

Saturday, May 5th, The Burns Archive participated in the Boston Book and Paper Expo in Wilmington, MA. Leigh Infield Associates helped to host the booth, which featured a sale of all Burns Press titles, as well as antique photographs and vintage medical books. The main focus of the booth was the expose of enlargements from the Burns Postmortem Photography Collection. There where over 85 exhibitors at the impressive Shiner's Auditorium. Please enjoy the video with highlights from the show as well as a few pics from the Burns Archive Booth.













Exhibition Coverage: Gothic to Goth at the Allentown Art Museum

Dr. Burns presented his lecture Photographing the Dead at the Allentown Art Museum, Sunday, August 29th. The talk accompanied the exhibition Gothic to Goth, which featured 19th century mourning dresses, jewelry, photographs, embroideries and more. The Burns Collection participated with several postmortem daguerreotypes and ambrotypes as well as a mourning broach (as featured in the purple case below).

 Dr. Stanley Burns and John Pepper of The Allentown Art Museum
An overview of the exhibition featuring 19th Century mourning dresses and accessories as well as modern goth fashions.
Display case featuring postmortem images from The Burns Collection.
Needlework Mourning Picture
Allegorical Mourning Painting 'Innocence & Friendship'
Victorian Hair Work
Exhibition Introduction
Dr. Burn describing the most common pose in memorial photography: the image of a parent holding their deceased child. Child deaths were frequent in the 19th century. One out of every five children died before the age of five.
A book signing followed the lecture.
 Sample Images Discussed in the lecture:

Prior to the twentieth century, multiple births frequently resulted in the death of babies. (Maternal mortality was also high, with about twenty percent of mothers dying in or soon after childbirth in the pre-antiseptic era.) This mother poses with her newborn twins. Today, an important part of the modern bereavement process is for parents to be photographed with their stillborn or neonatally deceased infant. The picture serves not only as a memorial of the child’s existence, but also as a document of its state of disease. Parents’ memories of their children’s condition at birth is usually erroneous, and over time, the abnormalities may become further exaggerated in their mind. Actually, dead children, as with these infants here, may look quite normal.


To learn more about memorial photography, please view Dr. Burns' three volumes on the subject:

     



4/23/12

Upcoming Lecture- Sleeping Beauties: Postmortem Photography

Lecture with Stanley B. Burns, MD, with book signing following

Sun, Apr 29 2012, 2:00pm - 4:00pm
31 North Fifth Street, Allentown, PA 1810

Members $5.00  Non Members $15.00

Dr. Burns recognized the importance of this phenomenon when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Dr. Burns will talk about the practice of postmortem photography from the 19th century until today and share images from his collection. A book signing follows.

This lecture is in conjunction with the current special exhibition, "Gothic to Goth: Embracing the Dark Side," through April 29, 2012 in the Goodman Gallery. 'Gothic to Goth' offers an overview of the nineteenth-century cult of mourning in American art and fashions, and indicates how that trend translated into contemporary Goth fashion - a genre now embraced by mainstream designers as well as the rock subculture of the twentieth century. 

ADDITIONAL COVERAGE FROM THE EXPRESS-TIMES:


By Tiffany Bentley
Post-mortem photography was a common practice in the 19th and early 20th centuries, according to photography archivist Dr. Stanley Burns.

The photos were used as memorials, not as documentation or to shock as in stories of violent deaths, Burns says. The photos, from the start of their use until now, serve as a momento of the deceased person to the living. 
"These images formed an important part of the bereavement process as well as the memorial process," Burns says.
 
Although post-mortem photographs make up a large group of 19th century American artifacts, it was only until recent years the photos have been brought out into the open, according to Burns' research.

Burns, who is also an ophthalmologist and clinical professor of medicine and psychiatry at New York University Langone Medical Center, will give a lecture on the practice of photographing the deceased 2 p.m. April 29 at the Allentown Art Museum of the Lehigh Valley.

Burns has written books on the subject and has maintained a vast archive of photos. He will include a slide show of the photographs, showing a chronology of the practice from the 1800's until modern day, in his lecture.

May of the photos are actually difficult to tell if there is a deceased person in the picture.
"Disease struck quickly, so the people look healthy," Burns says. "Today you don’t have these pictures because we keep people alive with tubes and fluids so people look sick."
Burns' interest in the subject began when he was researching medical photographs of death and disease and came across posed portraits. He began researching the practice and custom through advertisements, articles and other photographs from the time.
 
"In our culture, death has become a taboo," Burns says. "In the 19th century death was a part of everyday life."

Burns has also taken modern day post-mortem photos of his relatives, including some of his father that he published in one of his books, "Sleeping Beauty II..."

Dr. Burns' lecture is being held in conjunction with the current special exhibition at Allentown Art Museum, "Gothic to Goth: Embracing the Dark Side" running through April 29, which also includes post-mortem photographs.

For more information on the talk and exhibit visit allentownartmuseum.org.

4/18/12

Exhibition: Holocaust Remeberance Week at The National Arts Club

The First Exhibition of Artwork by Stanley B. Burns, MD   

The German Mindset: Action in the Name of Germany by Common Perpetrators

Through April 27, 2012, The National Arts Club, 15 Gramercy Park South, New York, NY

Dr. Stanley Burns’ multimedia images of the Holocaust add a new visual dimension – a ‘Word-Image’ to a topic that never ceases to be examined and reexamined. 


During 50 years of searching through tens of thousands of private images taken by German soldiers, Dr. Burns has uncovered a series of significant images and imbued them with a power beyond the imagination of the soldiers who recorded them. Burns has integrated a poignant caption into a colorized image that facilitates comprehension and expresses his wrath and bitter resentment with the inhumanity of Nazi Germany. This exhibition consists of two elements. The first includes prints following a time line of prewar persecution, wartime camp experiences and immigration to Israel. Several noted Holocaust images are shown. The second is Dr. Burns’ original multimedia art works. These unique images from Burns’ Nazi soldier album collection are transformed by his personal statements and confrontation with the nature of corrupt German serviceman. These ‘Word Images’ are powerful statements from which the observer can better understand the mentality of the perpetrators who are pictured having a good time as they went about their business of abusing and killing Jews.

We Wanted the War
In October 1939 Warsaw capitulated and surrendered after a month of unrestricted bombardment by the Luftwaffe that included a terror bombing campaign against civilian targets. A few days after the Nazi’s entered the city, a Wehrmacht officer rounded up a group of religious Jews and forced them to parade around the center of the bombed city. The sign reads “We Wanted the War.” The front of the cart reads “The Jews are our Misfortune.”

Unfortunately for Polish Jews, the non-Jewish inhabitants didn’t need any additional goading. Anti-Semitism was rampant throughout much of the country. Although there were many Polish citizens who protected Jews during the war, there where more who directly participated in the massacres of thousands. Perhaps one of the best examples is that even after the war when knowledge of the decimation of Polish Jewery was well known, the 40 Jews who survived the Shoah were killed in a Kielce Blood-Libel type pogrom on July 4, 1946. The episode created worldwide condemnation and is credited as being the catalyst for the immigration of most of the Jews from Poland. The number of Polish Jews killed in WWII is about 3,000,000 of the 5.8 million Jews who died in the Holocaust.


Wehrmacht Motorcycle Unit’s Fun and Games in Tarnopol Ukraine
An officer of a motorcycle detachment stands like an Egyptian overlord while his Jewish slaves build him a pyramid of hay bundles. One of the legends of Jewish history was that during the enslavement in Egypt, they were workers who helped build the pyramids. The story of the flight from Egypt is recounted every year at Passover. The enslavement in Egypt may have been on the minds of these men as they toiled on a hot July day to obey their new masters.

Tarnopol was in the province of Lvov in Poland until the Russians took control of it in 1939. The city of about 40,000 was 50% Polish and 40% Jewish. 18,000 Jews lived in Tarnopol. On June 22, 1941 Hitler attacked Russia. Tarnopol was entered at the end of June when the events pictured took place.  By June 1941 Jews knew of the extermination of communities in Poland and perhaps thought they were safe in Soviet controlled territory.

Pyramid building was only a waiting game as other Nazi units flooded the city. From July 4th to July 11th, over 5,000 Jews were killed. About 12,500 were herded into a ghetto. Over the next two years thousands were systematically slaughtered until the final liquidation on June 20, 1943. Poles contributed to the slaughter of Jews – about 500 were killed by Poles with borrowed weapons from the German troops who were ever ready to help local inhabitants in their dirty work. At the end of WWII. The Russians found 150 Jews in hiding with Partisans in the area and 200 returned who had fled into Russia. By the 1960s 500 Jews were living in Tarnopol. These unique photographs survive to help point a finger at Wehrmacht soldiers in their complacency with Hitler’s and Himmler’s Final Solution.

This Town is Jew Free
‘HALT’ reads the sign on this entrance to a small German town in 1938. The sign announces the town is Jew free and no Jews are welcome. Two anti-Semitic charactertures of a Jewish man and woman with large noses adorn the sign. This symbolism is much like the current usage of a line through an image that means no.

Professional Executioners
Their caps telegraph their unit ‘Field Police.’ These are the men of a notorious Polish execution squad of the SD. The SD,  (Sicherheitsdienst des Reichsführers-SS.) was the intelligence agency of the SS and the Nazi Party. It was often considered a "sister organization" with the Gestapo. In Poland one of their jobs was to kill prisoners and Jews and they did this in a humane way by a bullet in the back of the bent head making sure to hit the cerebellum, which destroyed bodily functions instantaneously. Here in the forests of the Poland in 1942, depicted as if in an occupational photograph of the nineteenth century, these executioners proudly display the tools of their trade: the 9mm Parabellum Lugar pistol.

Celebrating Murder
This happy soldier is depicted in this snapshot as a hero at a celebration by his cohorts for his great work. Around his neck is a Jewish Star. In the center are the letters G F P, the dreaded initials of the Geheim Feldpolizei – Secret Field Police. These units were the secret military police of the Wehrmacht. Among their duties was to work alongside the notorious SS Einsatzgruppen, the mobile killing squads, whose sole job was the extermination of Jews, Gypsies and communists. They did this by shooting them. They killed over one million (33,771 in Babi Yar, over 25,000 in Rumbala, etc.). Heinrich Himmler, the head of the SS helped devise extermination facilities with gas chambers primarilybecause the shooting of Jews was hard work and took a toll on the shooters.

The einsatzgruppen and the GFP worked safely behind the lines and under the protection of the Wehrmacht. The GFP also mounted operations to systematically burn down homes and entire villages. Toward the end of war the GFP was transferred from the Wehrmacht to the SS where they were responsible for summarily executing prisoners before the arrival of the advancing Red Army. For example, in 1943 one GFP report to SS and Police Leader William Krichbaum stated that on the Eastern Front 21,000 people had been killed… "many shot after interrogation." While the Gestapo is well known today they did not do the mass  killings the GFP did.

This happy fellow in a unit still under Wehrmacht control in 1941 proudly displays his medal. There is little doubt his unit was killing Jews in this time period. Perhaps the number 608 on his Yellow Star is his unit number, perhaps the number he killed that day. This image came from private wartime photo album. These documents are among the best evidences of criminality. If this smiling fellow was captured, this photograph would belie his explanation that he was only a lowly private in the army.

History of the Burns Holocaust Collection

Collector, curator and historian Stanley B. Burns, MD has written 43 photo historical texts and has curated over 50 exhibitions from his collection of about one million vintage images. Burns owns perhaps the largest private photographic Judaica and Holocaust collection. In the early 1970s before he collected photography Dr. Burns lectured regularly on Jewish physicians in the Holocaust. He ultimately took over the practice of a noted Berlin ophthalmologist who immigrated to the United States in 1937. The practice consisted of noted German Jewish personalities as well as some prior Nazis. Dr Burns began accumulating Holocaust related ephemera and photographs as the nations’ Holocaust museums were being formed. He served as a photography consultant to the Holocaust Museum in Washington DC. In 1994 the collection was showcased in the noted Jewish periodical Forward. In 1999 when a traveling exhibition from Homburg of photographs documenting the Wehrmacht and genicide was cancelled Dr. Burns offered his own similar collection to supplement the lectures on the subject at NYU.  On the 60th anniversary of the founding of Israel he had two exhibitions on the immigration of Jews to Israel in the 1940s showing his images of the Irgun blockade runner the Ben Hecht.

The Burns Holocaust collection consists mainly of images in five general categories. First are the hundreds of photographs of Eastern European Jews and towns from the 1890s through 1940s. These show the towns and people that were destroyed. The images depict life in shtetls and cities and provides vivid evidence of a rich religious and secular life. The second category includes images taken in Germany and Europe prior to the War documenting the rise of Nazism and persecution of Jews, Gypsies and the disabled. The third and perhaps most interesting aspect of the collection are the over 100 albums taken by German servicemen who photographed their experiences in Western and Eastern Europe especially France, Poland and Russia. These personal albums provide great insight into the experiences and behavior of German servicemen. The images were taken for personal use, representing the social, cultural and private actions of individuals. Such soldiers were not under orders and used their cameras frequently as one does today to capture moments of significance, celebration and triumph. The fourth section consists of hundreds of images taken by Allied sources at the end of the war directly related to the Shoah and conquest of Germany. These images are original prints made at time. The fifth aspect of the collection are thousands of photographs of the immigration and settlement of Jews in Israel 1930-1950. 

Images from the reception, April 17, 2012: