Showing posts with label Stanley Burns. Show all posts
Showing posts with label Stanley Burns. Show all posts

2/14/14

“Photography and the American Civil War” in New Orleans!


The extraordinary exhibition, “Photography and the American Civil War” opened at the New Orleans Museum of Art on January 30th. Dr. Burns and staff travelled to the opening, despite a snowstorm that cancelled flights and closed roads. 


Also able to escape a frigid New York for a freezing New Orleans was Jeff Rosenheim, Chief Curator of Photography at the Metropolitan Museum of Art and curator of the exhibition. Russell Lord, Curator of Photographs at NOMA graciously hosted two receptions, and, with Jeff, led a tour through the galleries. 
The exhibition showcases photographs of wounded Civil War soldiers from The Burns Collection, as well as hundreds of amazing images from the era. 
It was also a pleasure to see Sarah Simms former employee of The Burns Archive! She worked with Dr. Burns on the book, Shooting Soldiers, Civil War Medical Photography by R.B. Bontecou.
If you missed it in New York and Charleston, see it in New Orleans until May 4, 2014! 

http://noma.org/exhibitions/detail/77/Photography-and-the-American-Civil-War








 


Russel Lord, Stanley B. Burns, MD & Jeff Rosenhei

10/5/10

Newsweek Special Feature- History Revealed: Rare and Unusual Images from the Burns Archive



Please visit our Newsweek feature where over 25 photographs and stories are on view along with a video interview with Dr.Burns about his collection.  Click HERE to view the story on Newsweek.com



(Click twice on the video above to see full-frame ) 



9/29/10

Shaping the History of Photography: The Harry Ransom Center at The University of Texas at Austin Presents the Ninth Biennial Fleur Cowles Flair Symposium


September 30-October 2, 2010
Harry Ransom Center, 21st and Guadalupe Streets, Austin, Texas

Dr. Burns Will be presenting the history of The Burns Collection Exhibitions consisting of over 50 museum and gallery shows between 1978-2011. 
"The symposium springs from Discovering the Language of Photography: The Gernsheim Collection, the Ransom Center’s exhibition of this foundational collection of the medium’s history. Curators, collectors, historians, and photographers will participate in a series of panel discussions that focus on the areas in photography on which the Gernsheims had such impact—collecting, exhibiting, publishing, and historiography. Leaders in their fields will consider the forces that have historically shaped these areas, as well as the contemporary influences and developing trends that continue to affect our understanding of the history of photography."

On Photographic Exhibitions, Saturday, October 2, 10 a.m.

Moderator:
Anne Tucker, Gus and Lyndall Wortham Curator, Museum of Fine Arts, Houston, Houston, TX

Stanley B. Burns, MD, FACS, Executive Director, The Burns Archive and Clinical Professor of Medicine and Psychiatry, New York University, Langone Medical Center, New York, NY

Marianne Fulton, Photography curator, writer, appraiser and adjunct faculty, School of Journalism, The University of Texas at Austin

Clint Willour, Curator, Galveston Arts Center, Galveston, TX


Learn more about this symposium by clicking HERE

9/23/10

Memento Mori- The Exhibition & Opening at The Merchant's House Museum

Below are a few photographs illustrating the exhibition at The Merchant's House Museum. According to historic preservation rules the installation had to be creatively planned. No photos could be hung on the walls or placed directly on the furniture of this beautifully preserved 19th century home, nor could there be bright lights or flash photography. Memento Mori curator Eva Ulz did a great job of displaying a rich amount of information to compliment the historical and contemporary images. Early daguerreotypes and ambrotypes are exhibited in closets, waiting to be discovered. Three traditional wood displays encase memorial ephemera including postmortem photographs, coffin plates and cards. There is a sound and scent component to the exhibition as well- the rooms are perfumed and subtle recordings can be heard.
The Opening Sign
A View of the Rear Parlor
A View of the Front Parlor
Reproduction Casket by Artist Marian St. Laurent
On Display in Eliza Tredwell's Bedroom on the Second Story of the House
One of the Informational Timelines Created by the Museum
The Postmortem Photo on the Left is a Print from
Sleeping Beauty II
Postmortem Daguerreotypes & Ambrotypes
Displayed on the 'Whatnot' Shelf
One of the Three Cases Displaying Postmortem Paper Prints
Another One of the Postmortem Display Cases
Dr. Burns With His Video Camera Before the Opening Reception
Eva Ulz: Giving the Coffin a Test Run
Visitors to the exhibition can try out the coffin and
have their own postmortem photograph recorded.
Lissa Rivera of The Burns Archive
Reading the Display by Marian St. Laurent
Alice Lease Dana of The Burns Archive
Modeling her Mantilla in the 'Secret' Garden

A Slideshow of Photos From the Opening Reception


Dr. Burns 'At Rest' After a Hard Day's Work
A Souvenir From the Opening Reception
Visitors to the opening had their own postmortem taken as a souvenir to the event. Anyone who visits is encouraged to try out the coffin and have their own photo captured. The museum has started a Flickr gallery to collect and share the images. Click HERE to see who has been brave enough to step inside! 

Even if you did not make it to the opening you can still see the exhibit through November 29. There will be events such as a book signing & lecture with Dr.Burns as well as a 1865 Funeral Reenactment held by the museum staff. Please keep an eye on this blog and the Merchant's House Museum Calendar HERE.

9/20/10

Preparations for the Upcoming War Exhibition with Museum of Fine Arts, Houston (MFAH) 2012

Dr. Burns was visited by Anne Wilkes Tucker, Curator Photography (MFAH) and Will Michels, War Photography Exhibition Guest Curator (MFAH) and expert on military photography. Research was conducted on The Burns Collection's war photography, particularly medical aspects, special battles, arms albums and revolutions. Tucker and Michels viewed thousands of photographs- from the Crimean War (1854-56) through Vietnam and The Cold War (1989) over an eight hour period.


Will Michels, Dr. Burns, Anne Wilkes Tucker and Lissa Rivera
Viewing the Civil War Medical Photography of Dr. Reed B. Bontecou 
Examining Dr. Reed Bontecou’s Civil War photographs of wounded soldiers. The images are shown in the design layout for Dr. Burns new book Shooting Soldiers: 101 Regiments, Photographs by Reed B. Bontecou, MD. Over 1000 photographs taken by Bontecou will be presented in four volumes now in production.


Will Michels, Dr. Burns and Anne Wilkes Tucker
‘The Ehrhardt Guns Album'
 ‘The Ehrhardt Guns Album' showcased the complete artillery catalogue of the company as well as early armored cars. The album also details the materials necessary to transport the weapons from mules to cars. It was a special memento- signed: “Presented as a Remembrance of the Visit of His Imperial Highness Prince Tsai Tao of China to the Proving Grounds at Unterluss, June 16th 1910” Dedicated by Rheinische Metallwaren - und Maschinenfabrik (Dusseldorf). The photographs document the war and Artillery Commissions from Chile, Italy, Turkey, Romania and especially China displaying latest in weapons, as well as the visits of the German Emperor, Imperial Highness Archduke Leopold Salvator of Austria,  His Imperial Highness Grand Duke Serge Michailowitsch of Russia. The guns represented majority of  the heavy weapons that would soon be use by German-Austrian axis members during World War I.

Mexican Revolutionary Firing Squad 1910
Discovering new photographs related to the Mexican Revolution 1910-1917 –including an album taken by Poncho Villa’s physician.
Over 2,000 Bains Co. WWI Photographs
Viewing the collection of over 2,000 Bains Co., Signal Corps and German images of World War I. Over two dozen albums by nurses and physicians were also evaluated. Images of plastic surgery repair of head and neck wounds were the highlight along with images of pioneer efforts of government rehabilitation programs.

Looking at a Display of Revolutions
Germany 1918, Russia 1917-18, Morocco 1920’s, Syria 1925, Cuba 193
3
Examining photographs of The Day of Potsdam, March 21, 1933
Examining photographs of The Day of Potsdam, March 21, 1933
Known now in Germany as the unholy ‘Day of Potsdam.’ The ‘Day of Potsdam’ is a symbol for the disastrous relationship between National Socialism and Prussianism which lead to the Enabling Act of 1933, giving the Nazis full legislative powers, even allowing deviations from the constitution. In these original photographs by Helmut Kurth-Goering’s personal photographer we see not only Hitler but rare images of Heinrich Hoffmann- Hitler’s personal photographer. Hoffmann’s photographs of Hitler and WWII are icons of German efforts at propaganda and the functioning of the German WWII war machine.

The Largest Collection of Images Related to the Battle of Nomonhan
Nomonhan- the 1939 episode in which Japan attacked Russia (May-October) with an outcome that changed world history.  Stalin sent General Georgi Zhukov with new T32 tanks to defeat the Japanese. Zhukov’s victory became possible due to his detailed planning and skillful use of motorized artillery against the Japanese Army. He was awarded the title ‘Hero of the Soviet Union’ and promoted to full general. It was Zhukov who later defeated the Nazi’s in the Eastern Front and conquered Berlin. Japan, an island nation, gave up the idea of attacking and evacuated Russia with its army. The Japanese Imperial war machine decided to strike 'south' with its navy and attack the United States. Dr. Burns believes it is the most important battle related to or part of WWII as the defeat altered Japanese interests and cooperation with the Nazis. As a result of the loss of the Japanese threat Russia could move its factories over the Urals away from Hitler’s armies. When the showdown came at the Battle of Moscow (The largest battle ever fought) and the Battle of Stalingrad, Stalin was able to call on dozens of Manchurian, Siberian and other Asian divisions to surprise Hitler’s armies and defeat them. Had these divisions (millions of men) not been available Hitler would have single-handedly won his Russian campaign and conquered all of Europe.

Looking at a D-Day Photograph Taken on Omaha Beach
Dozens of Nazi and American soldier’s albums were explored and including ones relating to the crimes of the Wehrmacht. While the crimes of the SS, especially the SS- Totenkopfverbände and particularly the SS- Einsatzgruppen and SD are well known, the regular armed forces represented by the Wehrmacht committed war crimes of their own, particularly on the Eastern Front in the war against the Soviet Union. The albums soldiers created were often well documented with dates, location and units involved.

Presenting an Unusual 'Cold War'' Album
This album was made by a Russian soldier sent to guard duty in East Germany in the mid 1970s. It wass beautifully illustrated and painted. A rare military memento made by a common soldier.

To learn more about...
Anne Wilkes Tucker, Curator Photography, The Museum of Fine Arts, Houston- visit this LINK
Will Michels, Guest Curator, The Museum of Fine Arts, Houston- visit this LINK
The Museum of Fine Arts, Houston- visit this LINK